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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. Plumston is a village near. The first remark may sound Too free and easy, but his manner is decorous in the extreme. In spite of the fact that her pretty head is covered with a silk handkerchief in lieu of a hat, he acknowledges her "within the line," and knows instinctively that her clothes, though simplicity itself, are perfect both in tint and in texture. "And why not this or any other drawer?" says Rodney, growing pale. Again jealousy, which is a demon, rises in his breast, and thrusts out all gentler feelings. Her allusion to Mr. Moore, most innocently spoken, and, later on, her reference to the students, have served to heighten within him angry suspicion. "I wonder you do not hate me," says Mona, with a brokenhearted sob, "when you remember I am of the same blood as these wretches.".